Malcolm Gladwell on spaghetti sauce

Ira Glass on Storytelling

Lately, there’s been much discussion (amongst my friends and I) around “creative drive” – that inherent awareness that we are still unsatisfied and looking to push our work further…where does our tenacity come from? Ira Glass points out that the gap between ability and taste, is what drives creative people to achieve great things. So weird…I’ve never thought of it as a gap…when I think of it now, it’s kinda like “duh!”

Nas Chompas


“Forgotten Remains of a Giant Half-Made”


“Where the Heart Is”


“A Little Help From Mother Bear”

http://www.flickr.com/photos/jamsandwich/

Tiffany Bozic


“Untitled”


“Might Be Poisonous”


“No One’s Fault But My Own”


“The Best Intentions”

The work of Tiffany Bozic should have been my first post – I can never get enough of this woman’s work. I love the way she thinks and executes her ideas. I’d crap my pants if I could have one of her pieces hanging on my wall.

Walking bike


Built by Max Knight. Source: http://arkitipintel.com/2008/03/29/walking-bike/

Wuh??! Hahahaha…

Self-Portrait


“Self-Portrait”

A one off that was created on 11/8/2006.

AJ Fosik


“DSCF1521″


“As Good As Any God”


“One Hundred Percent Savage”


Portrait

I love the detail and colors AJ Fosik uses for his creatures. Reminds me of traditional Asian masks and costumes, but that’s not why I like it. :)

Ill-Studio


“Typography”: Selected typographic works by Ill-Studio.

Craig Ward


“YOU BLOW ME AWAY 01″: Collaboration with Jason Tozer


“FACT MAGAZINE”: 100 Best tracks of 2008 cover typography


“COMPUTER ARTS PROJECTS”: Future Trends with Sean & Karl Freeman

I have no idea how I stumbled upon Craig Ward but I did, and he’s sickkkk.

“Quantum of Solace” Opening Animation

The title sequence for “Quantum of Solace” just came to mind and I remembered thinking that it was really well done. MK12 designed the typeface and the opening credits for the film.

MK12 custom designed the type­face which looks like a clas­sic Helvetica-​like grotesque. The type, cre­ated from scratch, was mod­elled around the per­fectly cir­cu­lar O’s, which were orig­i­nally meant to sym­bol­ize bullet cas­ings. The ani­ma­tion style incor­po­rates the clas­sic trav­el­ling dot from the barrel sequence, which pre­cedes the open­ing titles in almost all of the Bond films. Also, by util­is­ing the spo­radic blink­ing of basic shapes, the font ani­mates in tandem with the stac­catos of the main title score and pays homage to the open­ing titles from Dr. No (1962) and its designer, Mau­rice Binder.

Source: http://fontfeed.com/archives/mk12-quantum-of-solace-title-sequence/